Costumes of Hakka unicorn dance, an intangible cultural heritage from Hong Kong, are showcased at the opening ceremony of the Oral Legacies-Intangible Cultural Heritage of the Hong Kong Special Administrative Region Exhibition Month at Prince Kung's Mansion Museum in Beijing, Dec 15, 2018. (MIRIAM ZHANG / CHINA DAILY)
As an international city blending Chinese and Western cultures, Hong Kong has a special role to play in cultural heritage conservation and creative innovation development in the Greater Bay Area.
Simon Ho Shun-man, president of the Hang Seng University of Hong Kong, made these remarks on Monday at the Greater Bay Area Cultural Heritage and Creative Innovation Conference, jointly organized by the Department of Art and Design, the university, and China Daily Hong Kong. The theme of the two-day conference, which ends today, is “Establishing the Cultural and Creative Nexus for the Guangdong-Hong Kong-Macao Greater Bay Area”.
The city is touted as the cultural hub of Asia, attracting artists and cultural organizations from around the world who gather to unleash their potential and marvel global audiences
Hong Kong has been sought-after by people of both past and current generations for its Cantonese pop songs, music, TV dramas, and even mahjong games, Ho said. As such, the city is touted as the cultural hub of Asia, attracting artists and cultural organizations from around the world who gather to unleash their potential and marvel global audiences.
Among the Greater Bay Area developmental visions is to strengthen the cultural soft power of the region and consolidate Hong Kong’s role as an international creative and cultural hub. There’s every reason that “Hong Kong should leverage its strengths to capture new opportunities and markets in the Bay Area”, Ho said.
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Sandra Uskokovic, associate professor at the University of Dubrovnik in Croatia, said culture in the architecture or broadly, city design, serves as a reflection of political and cultural ideologies in any given city, but also manifests itself as an articulation of the dream and future harbored by the region. Uskokovic spoke in the panel discussion titled “Social and Political Interpretation of Cultural Heritage in the GBA”.
Uskokovic said that design has come of age in China, as Chinese policymakers, businesspeople and scholars are receptive to the idea of redesigning their cities to celebrate their own identities. This has been happening in the Bay Area, where charting the future of the region by looking for new markets and opportunities are in full swing, she said.
“Better design is surely a way for China to add value to its creative industries and to accelerate the move beyond imitation (of creativity). The introduction of new and international design practices is an important part of the process,” Uskokovic said.
Assuming a “lead role” in developing the national economy, and by addressing geopolitics as well as national ambitions, the Greater Bay Area has taken the initiative in “rebranding itself through internationalization of its creative industry”, tapping into its advantage of the diverse global influence, she said.
It’s noteworthy that the Hong Kong Special Administrative Region has been actively engaged in the dynamic, which is exemplified by the Bi-city Biennale of Urbanism and Architecture, launched in Shenzhen in 2007 with a specific focus on urbanism and urbanization. This periodic event focuses on building an urban village within different types of urban agglomeration, and fostering an interdependency between urbanism and its residents. Uskokovic said that it’s no exaggeration to say that the Greater Bay Area is “a 21st-century face of mega urbanism. A global-level experiment in region building.”
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